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I Don’t Work The Scene
I don’t want to be detected for what I’m doing. I want to cause as little disruption as possible. That means snapping the photo and moving on. If I miss it, oh well. There’s another photo a few steps ahead. I think this is the best approach for long term photography as it minimizes the Read more
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Shooting For The Moment
This is all I did for the first years of street photography. I got some cool shots but they were almost always in horrible lighting as it was the best time for me to shoot. Now I look more for pleasing lighting even in harsh light. Light to me is now the most important. Looking Read more
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Work Smarter, Not Harder
Shooting in good light to me is the easiest way to make photos you like. So if you want the path of least resistance, just shoot in golden light. Shooting in bad light can yield some good photos too but when the sun is low everything is more interesting. Read more
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I Don’t Remember Why I Got Into Street Photography
It was a complete fluke. I think I ran into it on YouTube one day. Bought a camera and went from there. But I don’t remember that exact moment when it clicked. Maybe there was no moment but a gradual flow of interest. Read more
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On The Corner
With your camera leaning on a post. Waiting for a character. Most likely wearing clothes from a thrift store. How dorky. Grow up and put on some Lululemon. Read more